Why Should the Devil Have All the Good Music?: Larry Norman and the Perils of Christian Rock
(eAudiobook)

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Published
Tantor Media, Inc., 2018.
Physical Description
9h 32m 0s
Format
eAudiobook
Language
English
ISBN
9781977393463

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APA Citation, 7th Edition (style guide)

Gregory Alan Thornbury., Gregory Alan Thornbury|AUTHOR., & Stephen R. Thorne|READER. (2018). Why Should the Devil Have All the Good Music?: Larry Norman and the Perils of Christian Rock . Tantor Media, Inc..

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Gregory Alan Thornbury, Gregory Alan Thornbury|AUTHOR and Stephen R. Thorne|READER. 2018. Why Should the Devil Have All the Good Music?: Larry Norman and the Perils of Christian Rock. Tantor Media, Inc.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Gregory Alan Thornbury, Gregory Alan Thornbury|AUTHOR and Stephen R. Thorne|READER. Why Should the Devil Have All the Good Music?: Larry Norman and the Perils of Christian Rock Tantor Media, Inc, 2018.

MLA Citation, 9th Edition (style guide)

Gregory Alan Thornbury, Gregory Alan Thornbury|AUTHOR, and Stephen R. Thorne|READER. Why Should the Devil Have All the Good Music?: Larry Norman and the Perils of Christian Rock Tantor Media, Inc., 2018.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work IDc3da205d-a8ad-184b-f3e2-7f4362222788-eng
Full titlewhy should the devil have all the good music larry norman and the perils of christian rock
Authorthornbury gregory alan
Grouping Categorybook
Last Update2024-05-15 02:00:58AM
Last Indexed2024-06-26 04:28:20AM

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First LoadedMay 4, 2024
Last UsedJun 20, 2024

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    [synopsis] => In 1969, in Capitol Records' Hollywood studio, a blonde-haired troubadour named Larry Norman laid track for an album that would launch a new genre of music and one of the strangest, most interesting careers in modern rock. Having spent the bulk of the 1960s playing on bills with acts like the Who, Janis Joplin, and the Doors, Norman decided that he wanted to sing about the most countercultural subject of all: Jesus. Billboard called Norman "the most important songwriter since Paul Simon," and his music would go on to inspire members of bands as diverse as U2, the Pixies, Guns 'N Roses, and more. To a young generation of Christians who wanted a way to be different in the American cultural scene, Larry was a godsend-spinning songs about one's eternal soul as deftly as he did ones critiquing consumerism, middle-class values, and the Vietnam War. To the religious establishment, however, he was a thorn in the side; and to secular music fans, he was an enigma. In Why Should the Devil Have all the Good Music?, Gregory Alan Thornbury draws on unparalleled access to Norman's personal papers and archives to narrate the conflicts that defined the singer's life, as he crisscrossed the developing fault lines between Evangelicals and mainstream American culture-friction that continues to this day.
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